Tag Archives: Marlon Brando

THE BEST MOVIE OF 1978

Looking at the movie titles from this year just reminds me what an era of trash the 1970s was. There were some truly awful offerings. Thankfully certain movies stand out from the rest for differing reasons, the ones chosen here being The Deer Hunter (winner of 5 Oscars), Superman (enjoyable and still well-regarded), and Watership Down (unusual animated feature). Not having seen any of these for a number of years, I’m curious as to how they have stood the test of time.


WATERSHIP DOWN (October 1978) UK

Director: Martin Rosen.Watership Down

Cast: John Hurt, Richard Briers, Ralph Richardson.

Plot: After seeing the destruction of their warren in a vision, a community of wild rabbits set off to find a better, safer pasture, encountering various hazards along the way.

Review: I saw this at the cinema when it came out, but not since. I recall a close-up of a finely drawn cartoon rabbit, a bit where a bird-of-prey scoops up a rabbit, and a bit with spirit-rabbits flying in a circle during a song intermission. That’s all. However, I remember it fondly, so it clearly made an impression on me as a fourteen-year-old, so how about now …

I’m probably at least thirty years too old to really appreciate this, and while in some ways it is vastly superior to much that is produced today, has it’s faults too. The movie goes for realism (talking animals aside), and this includes quite large amounts of blood being spilled at times when various animals are fighting. Perhaps as a young teenager I took the imagery in my stride, but now it seems rather unnecessary. Otherwise, it’s a nice piece of work visually, with finely-drawn watercolour backgrounds of the English countryside and much attention to detail in the animation. Being well before computer-aided animation, it has a very ‘human’ feel to it.

I was expecting a stronger story. I remembered it as an ecological fable of some sort, but it was simply a good rabbits v. inexplicably bad rabbits affair, and with stereotypical portrayals of ‘country folk’ as being lowbrow, shotgun-toting types. So, slightly dissapointed. A case of distance in time making the movie seem sweeter.

Score: 3/10.


Robert Dinero - The Deerhunter (1978)

Robert De Niro in The Deer Hunter

THE DEER HUNTER (8 December 1978) USA

Director: Michael Cimino.

Cast: Robert De Niro, Christopher Walken, John Cazale, John Savage, Meryl Streep.

Plot: Three friends’ lives are dramatically changed by their experiences during military service in Vietnam.

Review: A movies of three hours, but which holds one’s interest throughout. The first hour, centred on wedding celebrations, introduces us to the characters. Robert De Niro the sound, solid one of the group, Christopher Walken the young gun, John Savage the nervous groom, and John Cazale as the annoying one who is tolerated rather than accepted. Others include George Dzundza and Chuck Aspegren. Aspegren was not an actor, but a foreman at the steelworks used as one of the locations. He was so natural in his interactions with the cast while they were exploring the set that he was cast as an extra during filming, eventually playing quite a significant part as one of the group of friends, but has never appeared on screen again.

John CazaleJohn Cazale deserves a special mention. A gifted and very intelligent individual totally unlike the characters he played, he appeared in only five movies, which between them won 15 Oscars. He also did a small amount of TV work as well as being a regular stage performer. In a close relationship with Meryl Streep at the time of The Deer Hunter, he was diagnosed with terminal lung cancer and so had all his scenes filmed first during production. The studio had wanted him replaced, but Streep threatened to walk off set if this happened. He died before the movie was completed.

The on-screen romance between Meryl Streep and Robert De Niro is terrifically well-played, and a central plot of the movie. Other sub-plots are John Savage’s experience of invalidity and Walken’s ultimate fate. One can’t help feeling that the knowledge of Cazale’s condition may have heightened all the performances in this movie. Whatever the case, it is a tour-de-force for all involved.

The movie is most famous for its Russian roulette scenes, of which there is no evidence of this ever having happened in Vietnam – it was used as a way of condensing into a single episode the inhumanity and violence that can occur in war situations. This also brings up the one incredulity in the movie – would anyone really stand ‘in line of fire’ right behind someone who was busy shooting themself in the head? It is a dramatic invention, of course, a metaphor for the insane logic of war, and also illustrates the devotion of De Niro to his friends. If only it didn’t so relentlessly portray the Vietnamese as either sadists, prostitutes or desperate victims, it would be a 9/10, but I settled for a point lower. The makers of the movie later stated that they regretted this negative portrayal.

Score: 8/10.


Margot Kidder & Christopher Reeve - Superman (1978)

“You’ve got me! Who’s got you?” Margot Kidder accepts a lift from Christopher Reeve in Superman.

SUPERMAN (10 December 1978) UK / USA

Director: Richard Donner.

Cast: Christopher Reeve, Margot Kidder, Marlon Brando. (Note: John Wayne’s son, Christopher Wayne, was the original choice as Superman, but had to decline when his father became ill with cancer.)

Plot: A alien being with extraordinary abilities finds himself on earth after his own planet is destroyed.

Review: I’d forgotton how many well-known faces there are in this movie. Gene Hackman, Marlon Brando, Trevor Howard, Terence Stamp, Susannah York, Harry Andrews (a long-serving British character actor), and even Larry Hagman.

The back story – Superman’s origins on the planet Krypton – is well developed, and the movie is fun to watch. There’s a tinge of sadness, remembering how the late Christopher Reeve became paraplegic after a horse-riding accident, but this doesn’t affect the pleasure of watching his upbeat performance. Recent superhero stars take themselves very seriously. This is fun and fantasy.

Margot Kidder as Lois Lane really makes the part her own, and no subsequent Lois has quite matched her performance. Kidder is a bit of an extraordinary character in real life, having dated presidents, movie stars and writers, as well as living with severe bi-polar disorder. She now has a more settled existence, with the occasional TV or film appearance, and is an activist in the Montana political scene.

Score: 4/10.


So, the best movie of 1978 is …

THE DEER HUNTER (8/10)

Cazale, Aspegren, Dzundza & Denero - The Deer Hunter (1978)

John Cazale, Chuck Aspergren, George Dzundza & Robert De Niro in The Deer Hunter.

… because of the flawless performances from the ensemble cast which keeps one interested throughout this three hour movie.


The next The Best Movie of … will be the year 1940. Contact me at twitter.com.

Thank you for reading this, I hope you found it interesting. This and the previous posts had been written while I was on a two-week holiday. This ‘blog’ will continue, but posts will not be so frequent.


THE BEST MOVIE OF 1972

Bruce Dern & Robot - Silent Running (1972)

Gardening for robots – Bruce Dern and ‘Huey’.

The year of The Godfather, but apart from that nothing really stands out. I’ll generally try anything for 10 or 20 minutes, but if it shows no promise, it gets binned. Solaris (grim Russian sci-fi) went this way, as did The Discreet Charm of the Bourgeoisie (saw it once, and a quick look confirmed that it isn’t an experience I want to repeat). Silent Running was a favourite in my youth – Bruce Dern on a botanical space ark with three pint-sized robots helping him – but looks a bit cheesy now, as did The Poseidon Adventure.

Apart from The Godfather, plumped for Sleuth, as Michael Cain and Laurence Olivier generally give good value for money, and The King of Marvin Gardens, a pre-Chinatown offering from Jack Nicholson.


Al Pacino - The Godfather

Al Pacino having a very, very bad day.

THE GODFATHER (15 March 1972) USA

Director: Francis Ford Coppola.

Cast: Marlon Brando, Al Pacino, James Caan, John Cazale.

Plot: The son of a mafia boss has to take the reins after his father is gunned down.

Review: I have a dislike of stylised violence in movies, so this one isn’t really for me, but I tried to watch it with an unbiased eye. People talk in Italian accents, people get killed, there are constant dark glances, an excellent if sometimes monotonous score, good camerawork, a lot of sepia tints, the acting is good, terrific story-telling qualities – one is never in any doubt as to what is going on, and there are three hours of it.

The whole thing is very watchable and stylish on first viewing (this is the third or fourth time I’ve seen it), but … in spite of all the above qualities, it is a movie I can happily leave on the shelf. Sorry to all those who see it as one of the best movies of all time, it’s a quality production and an impressive cast, but I feel uneasy about it – it too much glorifies brutality for me to be able to rate it very highly. I have no problem with others praising its qualities and enjoying it, but it’s not quite there for me.

Score: 4/10 [with special apologies to S. C.]


Jack Nicholson - The King of Marvin Gardens

Looking for an answer. Jack Nicholson in The King of Marvin Gardens.

THE KING OF MARVIN GARDENS (12 October 1972) USA

Director: Bob Rafelson.

Cast: Jack Nicholson, Bruce Dern, Ellen Burstyn, Julie Anne Robinson.

Plot: Two brothers, one a property developer, the other a small-time radio host, get together for a bit of brotherly bonding, but find they have little in common other than their inability to manage their lives successfully.

Review: Jack Nicholson plays a straight role in this movie – a disillusioned local radio presenter – and apart from his unmistakable voice, he avoids the querkyness that is familiar from his later movies. He doesn’t need it, because everyone around him is not quite right.

Bruce Dern (in one of four movies he took part in this year) plays a dodgy, odd-ball and utterly self-centred property developer, who clearly thinks he’s God’s gift, and the two women trailing around with him are equally unbalanced. Dern’s patter is often unintelligible, consisting almost entirely of smart talk and double meanings, while Nicholson’s carefully delivered dialogue, especially when giving the occasional monologue, always seems to be something of import, whether it really is or not.

It is a beautifully shot movie, with wide, Hopperesque city scapes, and the set pieces are equally carefully placed. The human picture painted is a sad, sordid affair, and one wonders if the movie is actually going anywhere until, towards the end, the tensions wind up until the older of Dern’s female followers (Ellen Burstyn) loses it when she thinks she is being deserting for her step-daughter (played by Julie Anne Robinson, who tragically died in an accident a couple of years after this movie was made).

No great conclusions are drawn in this movie, and it could have done with a bit more life during the central part, but I enjoyed it. It left an impression because of the strong characters and careful pace of the movie. Not a movie for the masses, but the kind that has to be hunted out. Nice one Jack, I’m guessing there are others out there like this.

Score: 5/10.


Michael Caine & Laurence Olivier - Sleuth

Classy vs classical, Michael Caine & Laurence Olivier.

SLEUTH (10 December 1972) UK/USA

Director: Joseph L Mankiewicz.

Cast: Laurence Olivier, Michael Caine.

Plot: A wealthy author and his wife’s lover test each other’s metal by taking role-playing games to the extreme.

Review: I remember seeing this many years ago without foreseeing the transformation of Michael Cain two-thirds of the way through the movie, which is the most memorable moment. After this point, events keep one guessing but also wishing that things would speed along a bit. The ending, when it comes, is too contrived on the big screen (this was originally a stage play), and the irritating use of the noisy animatronic toy props dotted around the scenery doesn’t help things along, losing it a point.

Not the best performances I’ve seen from either actor. Laurence Olivier is almost unbearably rumbustious much of the time, he really needed to be told to tone it down a bit. Caine is very watchable and obviously much more a movie actor. So, a worthy effort, but makes one wince at times.

Score: 3/10.


So, the best movie of 1972 is …

THE KING OF MARVIN GARDENS (5/10)

… because of Ellen Burstyn’s dazzling portrayal of a woman truly losing it when she thinks she’s being dumped by her lover, the pleasure of seeing Jack Nicholson in a less familiar character role, and Dern’s portrayal of the obnoxious ‘Jason’, a man completely self-centred and in total denial even when reality is screaming at him right in his face.

Jack Nicholson & Bruce Dern - The King of Marvin Gardens

When in doubt, sit on a horse. Nicholson and Dern in The King of Marvin Gardens. The title refers to a square on the American version of the Monopoly board game.

The next The Best Movie of … will be the year 2001. Contact me at twitter.com.